Son of Loft, Lithuanian Club
A slackly hanging crocheted tablecloth adorns the black curtained stage, a homely totem giving no warning whatsoever of the bizarre world of psychosexual body poetry to follow.
Sabrina D'Angelo's third foray into the Fringe Festival establishes her as a major talent and a pioneer in physical theatre. While previous shows focused on puppets and asked you to ignore the master, in Why Do I Dream? it is impossible for your eyes to leave her.
Ostensibly a theatrical interpretation of Madam Bovary, D'Angelo uses the text to explore notions of inhibition, desire and satiation, which she excels in expressing using mime, song, interpretive dance, ventriloquism and poetry.
Frequently hilarious, occasionally confronting and often poignant, she manages abrupt shifts in tone with a deft physicality, and a constant sense of surprise in a show crammed with ideas. Possibly the first performer to connect Gustave Flaubert, Lionel Richie and an amorous bear, D'Angelo is fast forging a totally unique and utterly arresting body of work.
One of the few true originals this Fringe is offering.